How It All Began

By Craig Ormiston

Eddy survived his first night making drinks for a big crowd on July 3, 2017. Seen here celebrating with water. Good job, Eddy.

Eddy survived his first night making drinks for a big crowd on July 3, 2017. Seen here celebrating with water. Good job, Eddy.

I wasn’t much of a drinker until after college in 2012 when a few zealous friends convinced me that craft beer is essentially the adult version of Pokémon cards. After three years of going to some of the best breweries in the country, logging over 2,000 beers in Untappd, and tasting many of the best beers on the planet, I felt like I had climbed the Mount Everest of craft beer and needed a new thing. While many friends and bar experiences likely deserve credit for planting the seeds over the years (Nicole, cough cough), I blame my neighborhood cocktail bar in Laguna, Broadway, and the early escapades of friends Matt and Cary of El Tigre Magnifico for throttling my passion for mixing spirits into overdrive. Travel as a consultant in 2015 and 2016 made it prohibitively difficult for me to keep a fridge stocked to cook for friends at my condo, so I started stocking my liquor shelves instead.

Nerds passing in the night

Looking back, it’s crazy that Eddy and I didn’t connect or start a project together much earlier. Back in 2006, he and I lived in freshman dorms across the hall from each other at the University of Southern California. We would cross paths in the halls and at parties, but were in different cinema programs and never really hung out. We must have been closeted James Bond fanatics back then because, had I known, I would have latched onto that common nerdom immediately.

College ended and we did not connect again for another five years until 2015 when a mutual friend alerted me that Eddy had moved to Denver for a summer internship in the conservation department at the Denver Art Museum. I myself had just moved back from Laguna Beach to start consulting for tech companies and he didn’t know anyone in the city yet, so we met up for drinks. I cannot say for sure whether our mutual fandom clicked back then or not, but we met up a few times that summer at various breweries and bars before he moved back to New York in August when his internship had finished. I visited New York the following summer to see friends and hit several cocktail bars including Death & Co. and Attaboy. Eddy and I reconnected then over more drinks with other friends, but otherwise radio silence for both of us after that. He moved to Louisiana for another contract and we missed each other there when I visited New Orleans for Voodoo Fest.

An idea for drinks born over drinks

When Eddy moved back to Denver in March 2017 for a contract at the Denver Art Museum, I had committed to keep my drinking to an accrued quota for the year in a largely successful plot to drink less, be more selective in my consumption, and make more progress on personal projects. Having recently hailed from strong cocktail scenes in New York and New Orleans, Eddy was quick to help me cash in on my quota when I craved visits to various cocktail bars around Denver including Adrift, Williams & Graham, Bar Fausto, White Lies (R.I.P.), and Retrograde. I made drinks for friends back at my condo from time to time, which inspired Eddy to start stocking his own bar.

Through all of this bar hopping, shaking, and stirring, we shared our mutual love for cinema and its various franchises. I had not watched any of the James Bond films for quite some time and felt overdue in enjoying them. With cocktails in hand on the night of May 14, one of us suggested that we should watch a bunch of them together and make two or three drinks to pair with each viewing. We had no intention then of it being a party or anything more than a few friends watching movies while drinking. Thrilled with the idea, we started a spreadsheet to brainstorm what we’d drink. We stumbled on this incredible archived website listing all drinks consumed in both the movies and the books to help us populate our list along with the infographic below.

Contrary to the popular Vesper, it turns out that James Bond doesn’t really drink that many cocktails. The man simply drinks a lot of whiskey, champagne, and wine. Thus, we’d have to design a lot of our own drinks to keep it interesting. While a fun idea, we both played in that spreadsheet for about a week before giving up and succumbing to our busy summers. We’d mention it a few times in June and make a few drinks, but otherwise put the idea to rest for a while.

Fireworks and cocktails

With a condo not far from Coors Field where they put on fireworks shows every year following baseball games around or on July 4th, I had gotten into the habit of having select friends over for a cocktail nights to share the view. This party got more and more ambitious every year to the point where I somehow thought it was a good idea in 2017 to offer an Independence Day-themed menu with 16 drinks, some of my own design and others inspired by concepts in or pulled directly from the Death & Co. book.


I naively thought that I could handle this menu alone (I was and still am a novice idiot hobbyist bartender with no formal training), but knew that I would have more fun at my own party if I had help. Assuming that Eddy wouldn’t know many people there and might benefit from having a task to keep him involved, I asked if he would be interested in helping out behind bar.


Around 30 people showed up to the party and kept the bar busy. I couldn’t have done it without Eddy and another buddy named Jordan who had real bartending experience. We faked our way through the night and deemed it a huge success. I can’t speak for Eddy, but that night invigorated confidence that we could knock this out of the park more than once per year.

The birth of a cocktail event series

Work and summer activities kept me pretty busy on the road for the next two months. When Eddy and I finally met again for impromptu drinks at Saint Ellie on September 1, we talked seriously about the project again. After a few at the bar, we went back to my place with other friends, made drinks, and continued to brainstorm. From there, things got carried away.

Those who know me well know that I am prone to making things much more complicated.

At the time, I think Eddy thought I was crazy.

We couldn’t just do one or two drinks per movie, we needed to do three! One inspired by or directly pulled from the movie, one inspired by or directly pulled from the book or short story it was adapted from, and one of our own design!

And if we’re going to all of this trouble, why not invite people to join us? Why not make it a thing? Why not make it a monthly event that starts in December 2015 and runs one movie per month until the next James Bond film comes out November 2019? Perfect timing!

Why not make them themed parties? Proper glassware and garnishes? Print menus. Design a poster!

Oh, and what about a movie trailer for each event?

We’ll assemble a theme-appropriate “cocktail hour” playlist and also an after-screening playlist to keep guests entertained!

And while we’re at it, let’s take really good notes and document everything in case we want to blog about it or do something else with it down the road!

Before we knew it, we had a rough schedule of parties spanning two years and started pulling clips to edit a trailer. We knew we would start with Casino Royale in December to launch with a crowd pleaser brilliantly adapted from the first novel and to kick things off with the familiar Vesper, so we started brainstorming other drinks for that event and also the Dr. No event to follow in January. From there, we wanted to time Live and Let Die around mardi gras while also marking the first appearance of each actor in the role (after starting with Craig in Casino Royale in December, move on to Connery in Dr. No for January, Moore in Live and Let Die for February, Dalton in The Living Daylights for March, and finally Brosnan in GoldenEye for April). We finished adding all of the drinks appearing in the movies and novels into our spreadsheet. The project clearly needed a name, so we tossed around a couple ideas and on September 9 finally settled on Licence to Drink (the British spelling, of course). A website URL and an Instagram handle were acquired and we were off to the races.

Eddy and I got together again a few times in September and October to try recipes for the Vesper and Americano. It only took us two sessions before deciding that we couldn’t handle “prep nights” by ourselves lest we get completely hammered after a few recipe attempts and make little to no progress. We needed help tasting our drafts and drinking our booze so that we didn’t do it all by ourselves. On October 27, we had a handful of people over to sip concepts we were working on for both the Casino Royale and Dr. No parties (we even printed a menu for it, which we’ve never bothered to do for prep nights again). We continued refining our roster of drinks through November, sent out invites through email and Facebook, and posted a trailer for the first event.

Our first event got a little crazy.

Our first event got a little crazy.

At last, we kicked off the series on December 2 with Casino Royale. Around 50 people attended, most of whom dressed up in cocktail attire per the theme. While some guests were hoping for a more focused screening format, simply too many people showed up for that to be comfortable in my condo and everyone else seemed content partying with the movie on in the background. We learned a lot about staging the bar that night and many other lessons we look forward to sharing with you on this blog.

Inspired by our first event’s success, we marched forward with our schedule and continue to throw parties. While we have changed the event format a bit and will no longer throw parties on a monthly basis, we’ve mapped out events for all 24 (soon to be 25) James Bond movies and continue to design drinks inspired by all of them. We’re excited to share them with you!

Dr. No Party Playlist

by Eddy Colloton

Jump to playlists

Eddy & Craig at our Dr. No party

Eddy & Craig at our Dr. No party

I had a blast making the playlists for our first party, Casino Royale, but at the time I wasn’t thinking of it as anything but a practicality. Parties have music in the background, right? Craig had suggested playing the soundtrack to the movie, but I was concerned about dynamics, and the more intense parts of the score. Most people don’t like it when their cocktail parties are scored like car chases.

That being said, there are a lot of really cool parts to the David Arnold composed score, which both feel very Bond and evoke the mood we were hoping to create for our Casino Royale party, so I built out a playlist around some of my favorite tracks. I started with some favorites of mine, Tony Allen, Mingus, and Yesterday's New Quintet, and then sort of just poked around Spotify playlists for tracks that, to me, had a similar “classy jazz to drink to” vibe. We screen the movie we’re paying homage to at every party, so I made a more mellow “pre-movie” playlist, and then tried to up the energy a little for the “post-movie” playlist.

When the second party rolled around for Dr. No, everything was starting to feel a bit more deliberate. Admittedly, Craig and I had discussed a certain level of consistency when we were hatching this scheme. For instance, we were always sure each party had to have a trailer. But things like the party attire Pinterest inspiration board and the Spotify playlists developed a bit more organically. Craig had been stoked on the Casino Royale playlists and encouraged me to run with the idea. The theme for Dr. No could not have been a better fit for my music taste, so I was all over it.

After the somewhat disastrous first attempt to adapt Ian Fleming’s literary work, apparently someone thought it would be a great idea to give this incredibly racist English author another shot. Dr. No was released in 1962. The film, like the novel, is set in Jamaica.

The early 60s represent a seminal moment in Jamaican music history. The Studio One record label—shepherding artists like the Skatalites, Bob Marley & the Wailers, Lee “Scratch” Perry, Toots & the Maytals, and many others—released its first records in 1963. Byron Lee, who is heavily featured on the Dr. No soundtrack, introduced the electric bass to Jamaica just a few years prior, cementing the popularity of the then-burgeoning ska sound. Lee performed at the 1964 World’s Fair, an early indicator of music becoming the island nation’s chief export. Ten years later, Marley and the Wailers would sign with CBS records, and Jamaican reggae would be poised to take over the world. The 1960s Jamaican sound could be considered a prelude to that iconic moment in music, and Dr. No serves as time capsule of the burgeoning phenomenon.

Dr. No is released amidst a frenzy of American obsession with all things tropical, demonstrated through the travelogue style of the film and the popular music of the day. From surf rock to Acker Bilk’s Stranger on the Shore, music lovers couldn’t get enough of beaches, sunshine and polka dot bikinis. One of the things I love about the Bond franchise are the movies’ ability to represent the culture of the day. Intentional or not, Bond movies often end up being about the era they were released in, just as much as they are about villains, espionage, and fancy suits. Many of the playlists I create for our parties are entirely made up of songs that were featured on the Billboard top 100 the year the movie was released (like this one for Live and Let Die, 1973).

Connery "relaxing" on the set of Dr. No. Found at

Connery "relaxing" on the set of Dr. No. Found at

These two simultaneous cultural events offered more than enough inspiration for my pre-movie playlist Dr. Yeeyah. The playlist ended up becoming a mix of early 60s pop music that captured the vacation fervor of the era with ska and proto-reggae hits from Jamaica. That playlist, like the Casino Royale pre-movie playlist, borrowed tracks from the film’s soundtrack. The Byron Lee tracks on the playlist worked particularly well for this playlist and theme, but since then the Bond movie scores haven’t jived as well with our party themes (however, our 80s themed A View To a Kill Party is coming up and there will definitely be some Duran Duran on that playlist).

As with Casino Royale, I wanted the post-party playlist to be more upbeat and energetic. For Dr. No, I wanted to draw from the diaspora of Caribbean music in contemporary Western music genres. I've included some obvious choices on the playlist like Nas’ collaboration with Damien Marley and The Specials’ dub classic Ghost Town, but I also wanted some artists our guests might not have heard before, like “techno-dub” duo Rhythm & Sound or UK grime artist Flowdan. Making that playlists, Dr. Nope, also helped me find out about a new artist, Filastine, a music and video act formed by the same guy who started the Infernal Noise Brigade back in the late 90s.

I now make a pre-movie playlist and a post-movie playlist for every party. It's become a fun way to explore some of the more social aspects of Spotify I wouldn't use otherwise, like the public playlists and genre filters. For me creating playlists for the parties functions as a sort of "prompt," basically an excuse to find new music, and a deadline to motivate me. That's true for a lot of Licence to Drink, it's just parameters we've invented to be creative within. The concept helps us get the ball rolling and then the parties keep us accountable.

All of the playlists I've made for the LtD parties can be found on our parties page, along with all of the other content we create. I plan to do more deep dives into particular playlists on the blog, so let me know if there's anything you'd like to hear more about. 

Playlists: Dr. No